何牧雨/Eros
This is a story about love and farewell. On a summer morning, the boy and girl made up their minds to escape from the insane asylum where they had been imprisoned for a long time, heading towards the distant and unknown freedom...
7/31/20263 min read
What inspired you to become a filmmaker, and how did you take your first steps in the industry?
My initial drive came from an all-consuming, genuine obsession with cinema, paired with some practical real-world considerations. Back in high school, I started studying film systematically to better prepare for college entrance exams. I also finished my very first short film during those high school years, made for a timed short-film creation contest. It was an unforgettable experience.
Was there a specific film, director, or experience that made you realize this was your passion?
I’d have to say Once Upon a Time in America by director Sergio Leone. His work lit a fire in me and fueled my desire to create.
Can you tell us about the origins of your film—what sparked the idea, and how did it evolve?
The core idea behind Wonder Blues came from a long late-night conversation I had with my closest friend during the winter of 2020. We talked endlessly about survival, memory, and love. That night turned out to be the last time I ever saw him. Shortly after we parted ways, he passed away in a sudden accident. He left no last words or final note behind. This short film is my way of processing my past life, pouring out all my unspoken emotions, and honoring his memory. It’s been six years now, and I still miss him terribly.
What was the biggest challenge in bringing this story to life, from script to screen?
The biggest hurdle while making this short was a lack of funding. As independent filmmakers, we’re always stuck between tight budgets and steep production costs—there’s just not much we can do about it.
Were there any unexpected moments or challenges during filming that changed how you approached the project?
We ran into a minor storm surge while filming on the coast. It cut our shooting schedule short, but we quickly revised our shooting plan and wrapped all required footage in the end.
Do you have a favorite scene or moment in the film that holds special significance for you?
My favorite sequence is the opening long take where the two protagonists ride bicycles to escape the psychiatric hospital. It marks the start of their journey, and also feels like the end of everything all at once.
What was it like working with your cast and crew? Any memorable stories from the set?
Most of my cast and crew were my existing friends, and many more became close friends by the time filming wrapped. Overall, it was such a joyful shoot.
How has your experience on the festival circuit been so far? Have there been any surprises along the way?
We’ve picked up a few awards at smaller film festivals. I’m thrilled that more audiences got to watch our short. I also want to sincerely thank the festival committee for giving us this opportunity to screen our work here.
What’s the most valuable lesson you've learned from screening your film at festivals and engaging with audiences?
Listen more, watch more, and above all—think deeply.
Which directors or films have influenced your style the most?
Béla Tarr and his film The Turin Horse have shaped my approach most.
Are there any films or filmmakers that you think are underrated and deserve more attention?
I really admire Jia Hongsheng, a young Chinese actor. He didn’t leave behind a huge body of work, but every piece he made is raw, sincere, and passionate. I wish more people would discover his performances.
Beyond films, do you draw inspiration from any TV series, books, or other art forms?
I draw huge inspiration from the new media artist Bill Viola; I’m endlessly captivated by his artwork.
What’s next for you? Are you working on any new projects that you can share with us?
For my next move, I plan to take time to reflect and search for the next story worth telling.
If you could collaborate with any filmmaker—living or dead—who would it be and why?
If I could pick any filmmaker to collaborate with, it’d be Martin Scorsese—would be a dream to sit down and work with him, haha. The short films he made early in his career have been my constant reference and source of inspiration.
What advice would you give to aspiring filmmakers trying to get their work seen?
My advice for emerging filmmakers is simple: stick with it, and never give up. The waiting period is always the hardest and loneliest part of this industry, but trust me—there’s always hope if you keep going.